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Blanket stitch - great for applique and decorative impact

The Old Button Play On The Go © Play Scenes - Safai Zoo What is blanket stitch Blanket stitch is an edging stitch, traditionally used to finish the edges of woollen blankets (or other woven items) to stop them unravelling.  Sewn in a connected row, the stitch forms neat 3 sides boxes, with the effect of "down" side stitches connected by "top" stitches, but they are formed by looping the thread in a continuous stitch.      When used as an edging stitch, it wraps itself around the edge, with down stitches showing at the front and the back, and the top showing across the outside edge.      The Old Button felt flower brooch Securing applique As it can be eased around curves and used on angles of any shape, including internal ones, blanket stitch is also great for securing applique patches.  I use it a lot with felt, but it also works well on cotton or wool fabrics too as where it has the added benefit of catching in any fraying threads.  The Old Button heart an

Les Miserables Costumes - Workers and Poor

I haven't been blogging for ages as my sewing has taken a back seat to my day job. But I have been meaning to write up some posts about of the shows I've been costuming over the last year or so.

As Les Miserables needs no introduction I'm just going to get straight to the costumes!



A lot of the costumes from this show were adapted from eBay and charity shops, althouh I did make most of the skirts from scratch.  Surprisingly, the costumes of the era were more modern than I thought and by choosing vintage looking items in natural fabrics like cotton and linen, I was able to evoke the look of early nineteenth-century France. 

Most of the chorus had multiple parts so we needed costumes that would work as villagers, inn customers, everyday folk around Paris and students at the barricade, but could also be made to look ragged for the poor in scenes like At the End of the Day.

So I started by created a basic costume of blouse and skirt - or shirt and trousers - which could be layered with accessories such a jackets, waistcoats, corsets and shawls for the different scenes.

I limited the amount of black as this looks flat on stage, and needed to avoid modern colours - especially white - as these are not authentic for the period.  So I went for muddy shades - lots of beige and brown - but livened it up with some orange tones such as tan and ochre, and some grey-blue-greens. It was quite hard to find these colours so I dyed quite a lot of items, mixing up shades or adding a touch of brown or denim blue to give the effect I wanted.  For the really poor clothes I used dip-dying and over-dying techniques to created an aged look and dirty hems.


The lovely thing about natural linen or cotton is that it goes soft and crumpled if washed and tumbled dried at high temperatures.  And anything with silk in was even better - I found a linen silk mix curtain fabric in a remnant bin that made fantastic rag shawls once boiled and dyed.

While I had made some really rough layered and bulky skirts for the younger cast who were mostly just in the poor chorus,  I used more gentle gathered and A-line shapes for a lot of the older girls that gave a more elegant silhouette.   And I trimmed some of them with upholstery braid and ribbons to create more of a class distinction.



This really helped me get a different look for the women who worked in the factory with Fantine.

Although the skirts were all different colours, I managed to source lots of shirts and blouses with a fine pinstripe - and dying them all the same blue colour  and adding blue aprons created the uniform look I wanted.

The one thing I couldn't get the girls to do was put their hair up in era appropriate buns or wear caps! 





















The Old Button is more than happy for you to use these costume ideas as inspiration for your own production. 
Pinning through Pinterest is fine as long as you credit The Old Button but please respect the copyright of the photos, and do not reproduce in other forms without permission. 

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